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Lucy Dacus - new and rescheduled 2022 shows, tickets on sale today at noon local times (presale code is “VBS”), general sale starts this Friday.
Wednesday, February 9 Stage AE, Pittsburgh PA *
Thursday, February 10 Majestic Theatre, Detroit MI...

Lucy Dacus  - new and rescheduled 2022 shows, tickets on sale today at noon local times (presale code is “VBS”), general sale starts this Friday. 

Wednesday, February 9 Stage AE, Pittsburgh PA *
Thursday, February 10 Majestic Theatre, Detroit MI *
Friday, February 11 Ovation, Newport KY *
Saturday, February 12 Egyptian Room at Old National Center, Indianapolis IN *
Monday, February 14 Turner Hall Ballroom, Milwaukee WI *
Tuesday, Feburary 15 Thalia Hall, Chicago IL (Rescheduled Date, SOLD OUT) *
Thursday, February 17 First Avenue, Minneapolis MN (Rescheduled Date, SOLD OUT) *
Friday, February 18 Englert Theater, Iowa City IA (Rescheduled Date, SOLD OUT) *
Saturday, February 19 Liberty Lawrence KS *
Sunday, February 20 Tower Theatre, Oklahoma City OK *
Wednesday, Feburary 23 Georgia Theater, Athens GA *
Thursday, February 24 Orange Peel, Asheville NC *
Friday, February 25 Jefferson, Charlottesville VA *
Saturday, February 26, The Stone Pony, Asbury Park NJ *
Tuesday, March 1 Danforth Music Hall, Toronto ON (Rescheduled Date) *
Wednesday, March 2 Corona Theatre, Montreal QC (Rescheduled Dale) *
Thursday, March 3 The Strand, Providence RI
Saturday, March 5 Ram’s Head, Baltimore MD

  • - with Indigo De Souza
lucy dacus indigo de souza home video matador records

In case you missed it, last week we shared the fourth installment of the Matador Revisionist History Podcast. Hear a conversation between Fucked Up and Titus Andronicus to celebrate the 10th anniversary of each of their albums: Fucked Up’s “David Comes To Life” and Titus Andronicus’ “The Monitor." 

Link to listen: matador.ffm.to/podcast 

#MatadorRevisionistHistory

Fucked Up David Comes To Life Titus Andronicus The Monitor Matador Revisionist History Matador Revisionist History Podcast

“People know when music has been made that hasn’t been too fussed over. It’s so easy when people are working on computers these days, you can line everything up and see that when you copy and paste, it’s exactly right. But there’s something about accidents and real performances that makes the hairs on the back of their neck stand up.” Spoon’s Britt Daniel discusses the making of “Lucifer on the Sofa” with Pitchfork.

Spoon Pitchfork Britt Daniel Lucifer on the Sofa